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The Concept of Bad Faith as Defined in L'Etre et le Néant and Illustrated in Sartre's Early Plays.

dc.contributor.advisorKnight, E. W.en_US
dc.contributor.authorTrevelyan, Margoten_US
dc.contributor.departmentRomance Languagesen_US
dc.date.accessioned2014-06-18T16:50:19Z
dc.date.available2014-06-18T16:50:19Z
dc.date.created2011-07-11en_US
dc.date.issued1971-10en_US
dc.description.abstract<p>The purpose of this paper is to define Sartre's concept of bad faith in L'Etre et le Néant and to apply this definition to Sartre's early plays. It is also hoped that the study will show the relevance of the theory of bad faith to our daily practice. Les Séquestrés d'Altona has been omitted both because of its complexity and because it would entail an examination of the Critique de la Raison Dialectique which is not possible in the scope of this thesis. The point of view in this thesis is considered by some to be biased but it is the opinion of the author that objectivity is not possible and that Marxism, which is the outlook of Sartre himself, is the correct one.</p>en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.identifier.otheropendissertations/5252en_US
dc.identifier.other6275en_US
dc.identifier.other2094802en_US
dc.identifier.urihttp://hdl.handle.net/11375/10196
dc.subjectOther Languages, Societies, and Culturesen_US
dc.subjectOther Languages, Societies, and Culturesen_US
dc.titleThe Concept of Bad Faith as Defined in L'Etre et le Néant and Illustrated in Sartre's Early Plays.en_US
dc.typethesisen_US

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