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Working Situations II / Situations de travail II

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dc.contributor.authorZeilinger, Martin
dc.contributor.authorHyndman, Sheena
dc.contributor.authorBowman, Durrell
dc.date.accessioned2014-11-17T02:25:44Z
dc.date.available2014-11-17T02:25:44Z
dc.date.issued2013-05-24
dc.descriptionFriday, May 24 • 1:00pm - 2:30pm Session 7A: Working Situations II / Situations de travail II 1. Martin Zeilinger (York University), Resisting Intellectual Property in the Live Performance of Electronic Music. 2.Sheena Hyndman (York University), No Money, Mo’ Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music. 3. Durrell Bowman (Independent Scholar), The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere. Chair / Présidente: Alan Stanbridgeen_US
dc.identifier.urihttp://hdl.handle.net/11375/16385
dc.language.isoenen_US
dc.subjectIASPM-Canadaen_US
dc.subjectconferenceen_US
dc.subjectMusic & Labour 2013en_US
dc.subjectMusique et travail 2013en_US
dc.subjectintellectual propertyen_US
dc.subjectelectronic musicen_US
dc.subjectremixen_US
dc.subjectpopular music coursesen_US
dc.titleWorking Situations II / Situations de travail IIen_US
dc.title.alternativeResisting Intellectual Property in the Live Performance of Electronic Musicen_US
dc.title.alternativeNo Money, Mo’ Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Musicen_US
dc.title.alternativeThe Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhereen_US
dc.typePresentationen_US

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Music & Labour / Musique et travail 2013