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Facets of Practical Music Criticism

dc.contributor.advisorRapoport, Paulen_US
dc.contributor.authorSchmidt, Elaineen_US
dc.contributor.departmentMusic Criticismen_US
dc.date.accessioned2014-06-18T16:55:45Z
dc.date.available2014-06-18T16:55:45Z
dc.date.created2011-12-16en_US
dc.date.issued1993en_US
dc.description.abstract<p>This document contains a collection of articles, reviews, profiles and programme notes written during an internship in music criticism. The diversity of these pieces reflects the varied nature of the terms music critic and music criticism, and the many roles a critic must play in writing for different audiences and numerous venues. The introduction to this portfolio outlines the details of my internship and discusses my perspective and goals as a critic. The sections I - V contain pieces which have been published by The Hamilton Spectator and Opera Canada, as well as two pieces which have been submitted for publication in the Spectator and Current Musicology. Section VI contains programme notes written for the McMaster University Celebrity Series and for Symphony Hamilton.</p>en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.identifier.otheropendissertations/6597en_US
dc.identifier.other7642en_US
dc.identifier.other2410003en_US
dc.identifier.urihttp://hdl.handle.net/11375/11643
dc.subjectMusicen_US
dc.subjectMusicen_US
dc.titleFacets of Practical Music Criticismen_US
dc.typethesisen_US

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