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How Music Advocacy Influences Audiences' Prosociality

dc.contributor.advisorFink, Lauren K
dc.contributor.authorSchlichting, Joshua L
dc.contributor.departmentPsychologyen_US
dc.date.accessioned2025-04-30T15:12:44Z
dc.date.available2025-04-30T15:12:44Z
dc.date.issued2025
dc.descriptionThe data and code required to reproduce this thesis are available at https://doi.org/10.5281/zenodo.15282949en_US
dc.description.abstractWhen advocating for social justice, music is commonly used to rally support for justice-seeking groups. Shared music experiences have been shown to increase prosocial behaviour like cooperation and helping, but previous research is mostly restricted to the individuals involved in the experience. It is thus unclear how music can foster prosociality towards external groups. Music can strengthen social bonding or empathic concern, which could facilitate prosociality, but might require shared co-presence. Alternatively, prosociality can emerge from problem awareness, but we lack empirical evidence as to whether music can effectively raise awareness for a specific issue. Here, we investigate the impact of co-presence and media type on bonding, empathy, and awareness in social justice advocacy through music. We organized a charity event featuring a documentary film and a percussion performance about wrongful imprisonment, shown in counterbalanced order. 94 audience members attending in-person or in a livestream reported their awareness of wrongful imprisonment, bonding and empathy with those affected, and intentions to support a relevant charity, before and after each presentation. At the end of the event, we assessed charitable behaviour. Our analyses revealed that the film afforded moderate to large increases in bonding and small to moderate increases in empathy, whereas the performance only afforded small to negligible increases. Both media had similar small effects on problem awareness. There were no significant differences between in-person and livestream audiences for any of the outcomes. Two thirds of participants supported the charity through one or more behaviours. Charitable behaviour was indirectly related to empathy through behavioural intentions. In conclusion, live and livestreamed charity events can increase empathy, which may result in prosocial outcomes towards external groups, though the music investigated here was less effective than the documentary film. We derive informed recommendations for designing musical experiences and psychological studies contributing to social justice.en_US
dc.description.degreeMaster of Science (MSc)en_US
dc.description.degreetypeThesisen_US
dc.description.layabstractCharity concerts are popular for rallying support for charity causes. Yet, we know little about why attending a charity concert motivates audiences to support the cause of the event. Here, we set out to understand how attending a charity concert affects thoughts and feelings about the charity cause, and whether these thoughts and feelings lead to actions in support of the charity cause. We hosted a live performance about wrongful imprisonment and compared its effects to those of a documentary film about the same topic. We also compared audiences attending the event in-person with those watching a livestream. We found that the event increased empathy, meaning that audiences were better able to imagine how it feels to be wrongfully imprisoned. The film had a larger effect than the performance, but we found no difference between in-person and livestream audiences. Empathy was related to supporting a charity fighting wrongful imprisonment.en_US
dc.identifier.urihttp://hdl.handle.net/11375/31588
dc.language.isoenen_US
dc.subjectmusicen_US
dc.subjectsocial justiceen_US
dc.subjectprosocialen_US
dc.subjectbondingen_US
dc.subjectempathyen_US
dc.subjectnorm activationen_US
dc.titleHow Music Advocacy Influences Audiences' Prosocialityen_US
dc.typeThesisen_US

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