Simultaneous testing of multiple subjects in ecologically valid assessments of hearing aids and assistive listening for speech in noise and music
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Abstract
Listening effort, or the amount of cognitive effort required to listen to a sound of
interest, is an important measure of hearing performance, especially for hearing aid
users. Hearing loss leads to increased listening effort in noisy situations and ideally
hearing aid processing would reduce this effort. The goal of the two listening effort
studies were to collect multiple measures of listening effort in an ecologically valid
scenario, testing the effects of background noise, reverberation, and hearing aid directional
processing on listening effort and head movement. To avoid the variability
introduced due to age and varying degrees of hearing loss, for this initial study young
normal hearing listeners were used. Two types of directional hearing aid processing
were compared to the unaided condition.
Our results show an effect of background noise level and reverberation on subjective
listening effort, an effect on physiological listening effort, as well as a right ear
bias for head direction in increased background noise and reverberation. Hearing aid
type showed a significant effect on deviation angle from the speaker on stage, that is
the difference between where the subject was looking and the location of the actor
speaking on stage. There was also a pattern of speech intelligibility changes with
changing signal-to-noise ratio, which was different based on the type of hearing aid
directional processing.
In addition to listening effort and speech intelligibility, music sound quality can
be greatly affected by hearing aid processing. Live music has additional challenges
compared to recorded music, so ecologically valid studies during live performances
are essential to fully characterize sound quality. Preliminary studies in the LIVELab
and an experiment conducted during an orchestra concert showed that while music
sound quality judgments are subjective and variable between subjects, those with
high musical sophistication are more critical and consistent in their judgments.