The Use of Dialogue in the Dramas of Max Frisch.

Abstract

<p>The gradual change in attitude to modern theatrical dialogue is outlined and an investigation of frisch's dialogue is carried out. It is established that the lack of communication manifest in the dialogue between characters on stage has as its counterpart a high level of communication between stage and audience. The means whereby this is achieved lies in the manipulation of dalogue in- and cross-stage.</p>