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Ambiguity and Technique in Three NOvels by Graham Greene

dc.contributor.advisorAziz, Maqboolen_US
dc.contributor.authorChing, Richard Graemeen_US
dc.contributor.departmentEnglishen_US
dc.date.accessioned2014-06-18T16:55:02Z
dc.date.available2014-06-18T16:55:02Z
dc.date.created2011-11-17en_US
dc.date.issued1994-09en_US
dc.description.abstract<p>Graham Greene's complex protagonists remain sympathetic before the reader in spite of serious flaws. They are not "good" or "bad" characters, but simply human; their wrong actions become mixed with ambiguous motives, and the reader is left with more questions than answers. It is a careful technique by which the author creates such ambiguity around his protagonists. Greene's choices in narrative style show the protagonists' motives and actions from many different perspectives; thus he avoids the "easy" answers. The same narrative style, however, gives the reader a unique and intimate perspective from which to view the protagonists, resulting in the relationship which enables the reader to see, in Scobie's words, <em>the heart of the matter</em>. As a result, the reader discovers that there is much good in a character with immense problems and withholds judgment on even the worst offender. Though ambiguous in many ways, the protagonists are accepted as simply human. This study attempts to examine the ambiguity of Greene's protagonists and the technique that lies beneath it.</p>en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.identifier.otheropendissertations/6508en_US
dc.identifier.other7546en_US
dc.identifier.other2357566en_US
dc.identifier.urihttp://hdl.handle.net/11375/11547
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleAmbiguity and Technique in Three NOvels by Graham Greeneen_US
dc.typethesisen_US

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