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Literary Lesbian Liberation: Two Case Studies Interrogating How Queerness Has Manifested In Japanese Value Construction Through History

dc.contributor.advisorRowe, Mark
dc.contributor.authorLoop, Alexandra M.
dc.contributor.departmentReligious Studiesen_US
dc.date.accessioned2020-10-23T14:43:49Z
dc.date.available2020-10-23T14:43:49Z
dc.date.issued2020
dc.description.abstractThe history of Japanese women who love women is often either ignored by or inaccessible to English speakers. To address this lacuna, I will lay out two case studies of women whose Queerness is potentially useful as models of Queer Japanese womanhood. I examine the narratives surrounding two women, Murasaki Shikibu (c. 973 or 978 – c. 1014 or 1031), the author the Tale of Genji, and Otake Kōkichi (1893-1966), an author, artist, and first wave feminist activist, in order to see how narratives surrounding their Queerness, known or posited, affect or are affected by cultural and religious narratives of identity and sexual values. The only major reading of Murasaki Shikibu as a woman who loved women is that of literary scholar and lesbian feminist Komashaku Kimi in Murasaki Shikibu’s Message (Murasaki Shikibu no Messeji), written in 1991. Her argument is that the interest in women’s bodies Murasaki shows in her diary and Poetic Memoirs was a kind of same-sex desire and that that desire was integral to her message in the Tale of Genji. This argument has never been given significant scholarly attention. As such, I examine this argument and present it in English. Otake Kōkichi, born Otake Kazue, is one of a handful of Queer women from the early 20th century who are regularly discussed in academic literature on Japanese feminist history, but most narratives surrounding her tend to center on a same-sex relationship she had in her youth and ignore the radical nature of her life after marriage. I will present aspects of her life that worked with and resisted various religions and systems of value creation that were competing for influence in twentieth-century Japan. The narratives surrounding Otake and Murasaki as Queer people center the radical nature of their work and lives. Both are discussed as having a kind of embodied politics that resists dominant images of womanhood and sexuality in favour of more liberatory constructions of value and identity.en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.description.degreetypeThesisen_US
dc.identifier.urihttp://hdl.handle.net/11375/25980
dc.language.isoenen_US
dc.subjectJapanese Religionen_US
dc.subjectWomen's Historyen_US
dc.subjectLGBTQ+ Historyen_US
dc.subjectJapanese Queer Historyen_US
dc.subjectMurasaki Shikibuen_US
dc.subjectOtake Kokichien_US
dc.subjectryosai kenboen_US
dc.subjectKomashaku Kimien_US
dc.subjectQueer Readingen_US
dc.subjectHiratsuka Raichoen_US
dc.subjectThe Bluestocking Societyen_US
dc.subjectSeitoen_US
dc.subjectQueer Recovery Historyen_US
dc.subjectBluestockingen_US
dc.subjectTomimoto Kazueen_US
dc.subjectTomimoto Kenkichien_US
dc.subjectLesbianismen_US
dc.subjectJapanen_US
dc.subjectWLWen_US
dc.titleLiterary Lesbian Liberation: Two Case Studies Interrogating How Queerness Has Manifested In Japanese Value Construction Through Historyen_US
dc.typeThesisen_US

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