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Queer Alchemy: Fabulousness in Gay Male Literature and Film

dc.contributor.advisorYork, Lorraineen_US
dc.contributor.authorBuzny, John Andrewen_US
dc.contributor.departmentEnglishen_US
dc.date.accessioned2014-06-18T16:46:46Z
dc.date.available2014-06-18T16:46:46Z
dc.date.created2011-06-03en_US
dc.date.issued2010-08en_US
dc.description.abstract<p>This thesis prioritizes the role of the Fabulous, an underdeveloped critical concept, in the construction of gay male literature and film. Building on Heather Love's observation that queer communities possess a seemingly magical ability to transform shame into pride - queer alchemy - I argue that gay males have created a genre of fiction that draws on this alchemical power through their uses of the Fabulous: fabulous realism. To highlight the multifarious nature of the Fabulous, I examine Thomas Gustafson's film Were the World Mine, Tomson Highway's novel Kiss of the Fur Queen, and Quentin Crisp's memoir The Naked Civil Servant.</p>en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.identifier.otheropendissertations/4485en_US
dc.identifier.other5503en_US
dc.identifier.other2045126en_US
dc.identifier.urihttp://hdl.handle.net/11375/9353
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleQueer Alchemy: Fabulousness in Gay Male Literature and Filmen_US
dc.typethesisen_US

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