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The Concept of Alienation, Theoretical Development and Textual Application in Selected Works of Bertolt Brecht

dc.contributor.advisorLawson, Alan Burhans
dc.contributor.authorRothwell, Alan
dc.contributor.departmentGermanen_US
dc.date.accessioned2019-02-02T19:27:22Z
dc.date.available2019-02-02T19:27:22Z
dc.date.issued1965-11
dc.description.abstractThis study presents an examination of the theory of alienation which is found in the dramatic work of Bertolt Brecht, the German writer and producer. A historical survey is followed by an attempt to describe the presence of the same phenomenon in the text of two plays by Brecht, Mutter Courage and Der kaukasiche Kreiderkreis.en_US
dc.description.degreeMaster of Arts (MA)en_US
dc.description.degreetypeThesisen_US
dc.identifier.urihttp://hdl.handle.net/11375/23860
dc.language.isoenen_US
dc.subjectalienationen_US
dc.subjectbertolt brechten_US
dc.subjectmutter courageen_US
dc.subjectder kaukasische kreiderkreisen_US
dc.titleThe Concept of Alienation, Theoretical Development and Textual Application in Selected Works of Bertolt Brechten_US
dc.title.alternativeBrecht: The Concept of Alienationen_US
dc.typeThesisen_US

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