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Cultural Capital II / Capital culturel II

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dc.contributor.authorBackstrom, Melvin
dc.contributor.authorWoods, Alyssa
dc.contributor.authorFenimore, Ross
dc.date.accessioned2014-11-17T01:43:16Z
dc.date.available2014-11-17T01:43:16Z
dc.date.issued2013-05-24
dc.descriptionFriday, May 24 • 10:15am - 11:45am Session 6A: Cultural Capital II / Capital culturel II 1.Melvin Backstrom (McGill University), To Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Music. 2.Alyssa Woods (Carleton University, University of Ottawa), "They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance. 3. Ross Fenimore (Davidson College), Contesting the Love Song in the 1980s: Madonna Sings "Like a Virgin." Chair / Présidente: Christina Baadeen_US
dc.identifier.urihttp://hdl.handle.net/11375/16382
dc.language.isoenen_US
dc.subjectIASPM-Canadaen_US
dc.subjectconferenceen_US
dc.subjectMusic & Labour 2013en_US
dc.subjectMusique et travail 2013en_US
dc.subjectimprovisationen_US
dc.subjectauthenticityen_US
dc.subjectgender performanceen_US
dc.subjectrace performanceen_US
dc.subjectlove songen_US
dc.subjectMadonnaen_US
dc.titleCultural Capital II / Capital culturel IIen_US
dc.title.alternativeTo Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Musicen_US
dc.title.alternative"They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performanceen_US
dc.title.alternativeContesting the Love Song in the 1980s: Madonna Sings "Like a Virgin"en_US
dc.typePresentationen_US

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Music & Labour / Musique et travail 2013