Pattern and Rhythm in three major novels of E.M.Forster: The Longest Journey, Howards End and A Passage to India

dc.contributor.advisor	Aziz, M.	en_US
dc.contributor.author	Padmanabhan, S.	en_US
dc.contributor.department	English	en_US
dc.date.accessioned	2014-06-18T16:48:32Z
dc.date.available	2014-06-18T16:48:32Z
dc.date.created	2011-06-23	en_US
dc.date.issued	1972-08	en_US
dc.description.abstract	<p>In the eighth chapter of his Aspects of the Novel, E.M.Forster considers "something which springs mainly out of the plot, and to which the characters and any other element present also contribute." Borrowing his terms from painting and music, Forster calls this aspect "pattern" and "rhythm".<br /> Forster's notions on pattern and rhythm are applied to his three major novels, The Longest Journey, Howards End and A Passage to India, in the thesis, to see how far his achievements matched his intentions. The results of the investigation are also seen in relation to the needs of the twentieth-century man, in particular, and, in general, to the needs of men at all times.</p>	en_US
dc.description.degree	Master of Arts (MA)	en_US
dc.identifier.other	opendissertations/4941	en_US
dc.identifier.other	5960	en_US
dc.identifier.other	2072702	en_US
dc.identifier.uri	http://hdl.handle.net/11375/9857
dc.subject	English Language and Literature	en_US
dc.subject	English Language and Literature	en_US
dc.title	Pattern and Rhythm in three major novels of E.M.Forster: The Longest Journey, Howards End and A Passage to India	en_US
dc.type	thesis	en_US

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