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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9989
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dc.contributor.advisorAziz, Maqboolen_US
dc.contributor.authorHarris, James Roberten_US
dc.date.accessioned2014-06-18T16:49:20Z-
dc.date.available2014-06-18T16:49:20Z-
dc.date.created2011-07-04en_US
dc.date.issued1970-10en_US
dc.identifier.otheropendissertations/5060en_US
dc.identifier.other6082en_US
dc.identifier.other2085668en_US
dc.identifier.urihttp://hdl.handle.net/11375/9989-
dc.description.abstract<p>The thesis attempts by a chronological examination of the novels of William Garald Golding to demonstrate the existence a sequence of allegorical explanation of the basic nature of men. This, it will be argued, constitutes a unifying link between the novels of a type not noticed by other critics.</p> <p>In addition, following a general consideration of the allegorical mode, it will be suggested that traditional conception of thenature of allegory limit unnecessarily the scope and function of the mode.</p> <p>Finally, in the Appendix, the sixth novel, not a part of the sequence, will be briefly examined, and its relationship to the other five novels suggested.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleAllegpry and Symbol in the Novels of William Goldingen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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