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http://hdl.handle.net/11375/9461Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Hutcheon, Linda | en_US |
| dc.contributor.author | Lee, Alison M. | en_US |
| dc.date.accessioned | 2014-06-18T16:47:12Z | - |
| dc.date.available | 2014-06-18T16:47:12Z | - |
| dc.date.created | 2011-06-06 | en_US |
| dc.date.issued | 1981-09 | en_US |
| dc.identifier.other | opendissertations/4582 | en_US |
| dc.identifier.other | 5600 | en_US |
| dc.identifier.other | 2048584 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11375/9461 | - |
| dc.description.abstract | <p>John Fowles' Daniel Martin can best be viewed in the context of his previous novels, The Collector, The French Lieutenant's Woman and The Magus, as well as his non-fictional work, The Aristos. Fowles is particularly conscious of himself as author and his novels invite the reader to participate in them as co-creator. Therefore, the way in which Fowles develops this self-awareness in his novels and the purpose behind his use of metafiction are central to any discussion of Fowles' works.</p> | en_US |
| dc.subject | English Language and Literature | en_US |
| dc.subject | English Language and Literature | en_US |
| dc.title | John Fowles' Daniel Martin: "Ill-Concealed Ghosts" | en_US |
| dc.type | thesis | en_US |
| dc.contributor.department | English | en_US |
| dc.description.degree | Master of Arts (MA) | en_US |
| Appears in Collections: | Open Access Dissertations and Theses | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| fulltext.pdf | 2.58 MB | Adobe PDF | View/Open |
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