Please use this identifier to cite or link to this item:
http://hdl.handle.net/11375/16382| Title: | Cultural Capital II / Capital culturel II |
| Other Titles: | To Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Music "They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance Contesting the Love Song in the 1980s: Madonna Sings "Like a Virgin" |
| Authors: | Backstrom, Melvin Woods, Alyssa Fenimore, Ross |
| Keywords: | IASPM-Canada;conference;Music & Labour 2013;Musique et travail 2013;improvisation;authenticity;gender performance;race performance;love song;Madonna |
| Publication Date: | 24-May-2013 |
| Description: | Friday, May 24 • 10:15am - 11:45am Session 6A: Cultural Capital II / Capital culturel II 1.Melvin Backstrom (McGill University), To Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Music. 2.Alyssa Woods (Carleton University, University of Ottawa), "They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance. 3. Ross Fenimore (Davidson College), Contesting the Love Song in the 1980s: Madonna Sings "Like a Virgin." Chair / Présidente: Christina Baade |
| URI: | http://hdl.handle.net/11375/16382 |
| Appears in Collections: | Music & Labour / Musique et travail 2013 |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 06A - Melvin Backstrom - To Jam or Not to Jam, The Labour of Improvisation and Discourses of Authenticity in Popular Music.mp3 | Audio recording | 73.89 MB | audio/basic | View/Open |
| 06A - Alyssa Woods- They don’t see a paid actress, just what makes a bad bitch, Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance.mp3 | Audio recording | 73.82 MB | audio/basic | View/Open |
| 06A - Ross Fenimore - Contesting the Love Song in the 1980s- Madonna Sings Like A Virgin.mp3 | Audio recording | 61.4 MB | audio/basic | View/Open |
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