Please use this identifier to cite or link to this item:
http://hdl.handle.net/11375/16382Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Backstrom, Melvin | - |
| dc.contributor.author | Woods, Alyssa | - |
| dc.contributor.author | Fenimore, Ross | - |
| dc.date.accessioned | 2014-11-17T01:43:16Z | - |
| dc.date.available | 2014-11-17T01:43:16Z | - |
| dc.date.issued | 2013-05-24 | - |
| dc.identifier.uri | http://hdl.handle.net/11375/16382 | - |
| dc.description | Friday, May 24 • 10:15am - 11:45am Session 6A: Cultural Capital II / Capital culturel II 1.Melvin Backstrom (McGill University), To Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Music. 2.Alyssa Woods (Carleton University, University of Ottawa), "They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance. 3. Ross Fenimore (Davidson College), Contesting the Love Song in the 1980s: Madonna Sings "Like a Virgin." Chair / Présidente: Christina Baade | en_US |
| dc.language.iso | en | en_US |
| dc.subject | IASPM-Canada | en_US |
| dc.subject | conference | en_US |
| dc.subject | Music & Labour 2013 | en_US |
| dc.subject | Musique et travail 2013 | en_US |
| dc.subject | improvisation | en_US |
| dc.subject | authenticity | en_US |
| dc.subject | gender performance | en_US |
| dc.subject | race performance | en_US |
| dc.subject | love song | en_US |
| dc.subject | Madonna | en_US |
| dc.title | Cultural Capital II / Capital culturel II | en_US |
| dc.title.alternative | To Jam or Not to Jam: The Labour of Improvisation and Discourses of Authenticity in Popular Music | en_US |
| dc.title.alternative | "They don’t see a paid actress, just what makes a bad bitch": Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance | en_US |
| dc.title.alternative | Contesting the Love Song in the 1980s: Madonna Sings "Like a Virgin" | en_US |
| dc.type | Presentation | en_US |
| Appears in Collections: | Music & Labour / Musique et travail 2013 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 06A - Melvin Backstrom - To Jam or Not to Jam, The Labour of Improvisation and Discourses of Authenticity in Popular Music.mp3 | Audio recording | 73.89 MB | audio/basic | View/Open |
| 06A - Alyssa Woods- They don’t see a paid actress, just what makes a bad bitch, Lupe Fiasco’s Commentary on the Labour of Gender and Race Performance.mp3 | Audio recording | 73.82 MB | audio/basic | View/Open |
| 06A - Ross Fenimore - Contesting the Love Song in the 1980s- Madonna Sings Like A Virgin.mp3 | Audio recording | 61.4 MB | audio/basic | View/Open |
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