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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/13362
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DC FieldValueLanguage
dc.contributor.advisorSilcox, Maryen_US
dc.contributor.authorDavis, Louise Marieen_US
dc.date.accessioned2014-06-18T17:03:44Z-
dc.date.available2014-06-18T17:03:44Z-
dc.date.created2013-09-25en_US
dc.date.issued1995-09en_US
dc.identifier.otheropendissertations/8184en_US
dc.identifier.other9418en_US
dc.identifier.other4625690en_US
dc.identifier.urihttp://hdl.handle.net/11375/13362-
dc.description.abstract<p>This thesis explores the relationship between women and fictional dystopian societies. I study the effects of technology upon individual women who are forced to participate in the eugenic practices of repressive states by becoming "breeders." I also trace the role of lesbians, and how their presence is pathologized and "ghosted." My primary texts are Marge Piercy's Woman on the Edge of Time, Kate Wilhelm's Where Late the Sweet Birds Sang, Margaret Atwood's The Handmaid's Tale, and Sheri S. Tepper's The Gate to Women's Country.</p>en_US
dc.subjectSexualityen_US
dc.subjectReproductionen_US
dc.subjectDystopianen_US
dc.subjectFictionen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleSexuality and Reproduction in Dystopian Fictionen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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