Please use this identifier to cite or link to this item:
|Title:||Representation of Immigrant Family Conflict in Popular Culture: Power, Essentialism and Emancipation|
Schormans, Ann Fudge
|Keywords:||Immigrant;media;acculturation;assimilation;critical discourse analysis;CDA;Social Work;Social Work|
|Abstract:||<p>Immigration is a complex process that involves multiple social, economic and political challenges. Immigrants face numerous structural barriers throughout the settlement process including “stress, underemployment, downward mobility, discrimination, poor housing, lack of access to services, and inadequate social support” (Simich, Beiser, Stewart and Mwakarimba, 2010, p. 260) that contribute to their status as a marginalized social group. The discourse of ‘culture’ is a prevalent paradigm to explain the integration outcomes of immigrants in our society. From a critical perspective, the discourse of acculturation can be used to perpetuate social power imbalances by universalizing dominant culture, obscuring the effects of social power imbalances and essentializing immigrant identities.</p> <p>This research examines the social justice implications of the public discourse on immigrant families through a critical discourse analysis of three popular culture films with the central theme of immigrant family conflict. Analysis of the films reveals that the discourse of immigrant family pathology is present in the narrative structure of all three films. At the same time, all of the films also represent counter narratives that highlight the complexity and fluidity of contemporary immigrant identities. It is argued that the films represent the protagonists engaging in the process of challenging both mainstream and traditional essentialized cultural identities. This process, termed ‘the third space’ by Bhabha (1990), is argued to have emancipatory potential for immigrant communities and for the pursuit of social justice.</p>|
|Appears in Collections:||Open Access Dissertations and Theses|
Items in MacSphere are protected by copyright, with all rights reserved, unless otherwise indicated.