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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/12108
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dc.contributor.advisorMorton, Richard E.en_US
dc.contributor.authorDennis, Maurice Justinen_US
dc.date.accessioned2014-06-18T16:58:17Z-
dc.date.available2014-06-18T16:58:17Z-
dc.date.created2012-06-13en_US
dc.date.issued1986-08en_US
dc.identifier.otheropendissertations/7020en_US
dc.identifier.other8068en_US
dc.identifier.other2989037en_US
dc.identifier.urihttp://hdl.handle.net/11375/12108-
dc.description.abstract<p>The trial scene in Renaissance drama provides the modern reader with an ideal means for examining the implicit structure of power that is demonstrated in a play's conflict. Read against a background of the contemporary Renaissance concern for power and authority and how both are expressed in contemporary concepts of law, the plays are comprehensible as expressions of Renaissance ideology. The Old Law, The Bondman, Believe as You List and The Fatal Dowry offer a variety of trial situations in a variety of dramatic contexts. Analysis of these plays provides a consistent view of elements of contemporary philosophical debate on the nature of power. An awareness of the power structure of these plays sparks an interest in examining the forces at work in our day.</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titlePower, Authority and the Law in Massinger's Englanden_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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