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DC Field | Value | Language |
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dc.contributor.advisor | Szeman, Imre | en_US |
dc.contributor.advisor | O`Connor, Mary | en_US |
dc.contributor.advisor | Searls-Giroux, Susan | en_US |
dc.contributor.author | Mauro, Evan | en_US |
dc.date.accessioned | 2014-06-18T16:58:07Z | - |
dc.date.available | 2014-06-18T16:58:07Z | - |
dc.date.created | 2012-05-03 | en_US |
dc.date.issued | 2012 | en_US |
dc.identifier.other | opendissertations/6975 | en_US |
dc.identifier.other | 7985 | en_US |
dc.identifier.other | 2819644 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/12057 | - |
dc.description.abstract | <p>This dissertation investigates a turn in the modernist period towards organicist and life-science frameworks to explain political conflicts. How is it, I ask, that organic form comes to be a leading aesthetic ideology in a period in which the reproduction of social relations was in crisis? In my introduction, I frame a historical argument that the remainder of the dissertation draws out in detail: modernism is best understood as a response to the failure of nineteenth-century liberalism's organization of social relations, and a politics of life in different guises—decadence, vitalism, organicism, and everyday life—is modernism's way of conceptualizing alternative modes of social reproduction under new, transnational conditions and pressures.</p> <p>In the first half of the dissertation, I outline how the historical avant-garde's revolutionary aim to merge art with everyday life presumes that life can offer a new foundation for social organization beyond liberalism’s institutional forms. Turning to the Futurists in Italy, I argue for a more complex understanding of how intertwined discourses of national organicism and a revolutionary vitalism resulted in their self-contradicting political program for anti-liberalist and, occasionally, anti-colonial revolution that frequently exceeded its own self-imposed national limits. The dissertation’s second half shows how modernism’s politics of life were eventually recuperated to a liberal consensus in the twentieth century, first in William James’s figure of a new social body traversed by overwhelming and destabilizing sensations, which required better systems of self-management, and which, I argue, anticipates the regulated national space of mid-century welfare state liberalism. Meanwhile, D. W. Griffith's compulsive return to scenes of rebirth in two films, <em>Birth of a Nation</em> (1915) and <em>Intolerance</em> (1916), expresses an ideology of imperial rebirth that rearticulates liberalism as the management of sensations and populations in America’s turn of the century, transnational moment.</p> <p>Focusing on two national contexts in which migration and imperialist expansion were transforming domestic politics, this study extends a recent turn towards transnational articulations of modernity, by reconsidering how the cultural forms emerging in these sites are marked by a biopolitical discourse that reimagines how social reproduction can take place.</p> | en_US |
dc.subject | Other English Language and Literature | en_US |
dc.subject | Other English Language and Literature | en_US |
dc.title | Fables of Regeneration: Modernism, Biopolitics, Reproduction | en_US |
dc.type | dissertation | en_US |
dc.contributor.department | English and Cultural Studies | en_US |
dc.description.degree | Doctor of Philosophy (PhD) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
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fulltext.pdf | 942.22 kB | Adobe PDF | View/Open |
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