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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11463
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DC FieldValueLanguage
dc.contributor.advisorAdamson, J.en_US
dc.contributor.authorCoyle, James A.en_US
dc.date.accessioned2014-06-18T16:54:45Z-
dc.date.available2014-06-18T16:54:45Z-
dc.date.created2011-10-25en_US
dc.date.issued1988-06en_US
dc.identifier.otheropendissertations/6428en_US
dc.identifier.other7475en_US
dc.identifier.other2312961en_US
dc.identifier.urihttp://hdl.handle.net/11375/11463-
dc.description.abstract<p>Frank Norris is generally recognised by critics as American literature's first naturalist. But there is enough evidence in Norris' writing -- primarily the extensive use of allegory and allegorical symbolism -- to suggest another interpretation of his work. Norris seems to be much more in tune with the romantic literary heritage of America than he is with the Zolaesque naturalism he imported from France. Through a study of these allegorical tendencies in the major fiction of Frank Norris, the reader discovers the strong links that Norris has with his literary heritage and finds him to be as much an allegorist as a naturalist.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleAllegory in the Major Fiction of Frank Norrisen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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