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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10991
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DC FieldValueLanguage
dc.contributor.advisorRoebuck, Grahamen_US
dc.contributor.authorCanny, Anthony Marken_US
dc.date.accessioned2014-06-18T16:53:12Z-
dc.date.available2014-06-18T16:53:12Z-
dc.date.created2011-08-23en_US
dc.date.issued1991-09en_US
dc.identifier.otheropendissertations/5996en_US
dc.identifier.other7023en_US
dc.identifier.other2185984en_US
dc.identifier.urihttp://hdl.handle.net/11375/10991-
dc.description.abstract<p>This thesis examines the function of memory in both Laurence Sterne's Tristram Shandy and Salman Rushdie's Midnight's Children. I establish two applications of memory to writing, the first being a linear recording of events while the second is more digressive. The narrator in each of the novels professes the first approach but he is continually frustrated in his attempts to capture reality. The implications of memory for writing and reading are a link between the two works. By examining the techniques both Sterne and Rushdie use to apply memory to the writing of their novels, I will provide new perspectives on each novel.</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleLaurence Sterne and Salman Rushdie: The Function of Whatsitsnameen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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