Please use this identifier to cite or link to this item:
http://hdl.handle.net/11375/10692
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Simpson, J. E. | en_US |
dc.contributor.author | McLaughlin, Paul Patrick | en_US |
dc.date.accessioned | 2014-06-18T16:52:17Z | - |
dc.date.available | 2014-06-18T16:52:17Z | - |
dc.date.created | 2011-08-04 | en_US |
dc.date.issued | 1971-05 | en_US |
dc.identifier.other | opendissertations/5722 | en_US |
dc.identifier.other | 6744 | en_US |
dc.identifier.other | 2133512 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/10692 | - |
dc.description.abstract | en_US | |
dc.subject | Philosophy | en_US |
dc.subject | Philosophy | en_US |
dc.title | The Logic of the Concept of the Concept of Art | en_US |
dc.type | thesis | en_US |
dc.contributor.department | Philosophy | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
---|---|---|---|
fulltext.pdf | 3.31 MB | Adobe PDF | View/Open |
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