Please use this identifier to cite or link to this item:
http://hdl.handle.net/11375/10210
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Pocknell, B. S. | en_US |
dc.contributor.author | Mason, Thomas William | en_US |
dc.date.accessioned | 2014-06-18T16:50:23Z | - |
dc.date.available | 2014-06-18T16:50:23Z | - |
dc.date.created | 2011-07-11 | en_US |
dc.date.issued | 1973-10 | en_US |
dc.identifier.other | opendissertations/5265 | en_US |
dc.identifier.other | 6288 | en_US |
dc.identifier.other | 2095385 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/10210 | - |
dc.description.abstract | An analysis of the development of Jacques Copeau's principles of dramatic art, of their application to a renovation of French theatre and of their influence on succeeding theatrical figures. | en_US |
dc.subject | French and Francophone Language and Literature | en_US |
dc.subject | French and Francophone Language and Literature | en_US |
dc.title | Jacques Copeau: Dramatic Critic and Reformer of the Theatre | en_US |
dc.type | thesis | en_US |
dc.contributor.department | French | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 3.28 MB | Adobe PDF | View/Open |
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