The Concept of Bad Faith as Defined in L'Etre et le Néant and Illustrated in Sartre's Early Plays.

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DC Field	Value	Language
dc.contributor.advisor	Knight, E. W.	en_US
dc.contributor.author	Trevelyan, Margot	en_US
dc.date.accessioned	2014-06-18T16:50:19Z	-
dc.date.available	2014-06-18T16:50:19Z	-
dc.date.created	2011-07-11	en_US
dc.date.issued	1971-10	en_US
dc.identifier.other	opendissertations/5252	en_US
dc.identifier.other	6275	en_US
dc.identifier.other	2094802	en_US
dc.identifier.uri	http://hdl.handle.net/11375/10196	-
dc.description.abstract	<p>The purpose of this paper is to define Sartre's concept of bad faith in L'Etre et le Néant and to apply this definition to Sartre's early plays. It is also hoped that the study will show the relevance of the theory of bad faith to our daily practice. Les Séquestrés d'Altona has been omitted both because of its complexity and because it would entail an examination of the Critique de la Raison Dialectique which is not possible in the scope of this thesis. The point of view in this thesis is considered by some to be biased but it is the opinion of the author that objectivity is not possible and that Marxism, which is the outlook of Sartre himself, is the correct one.</p>	en_US
dc.subject	Other Languages, Societies, and Cultures	en_US
dc.subject	Other Languages, Societies, and Cultures	en_US
dc.title	The Concept of Bad Faith as Defined in L'Etre et le Néant and Illustrated in Sartre's Early Plays.	en_US
dc.type	thesis	en_US
dc.contributor.department	Romance Languages	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

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