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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10149
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DC FieldValueLanguage
dc.contributor.advisorWarner, G. A.en_US
dc.contributor.authorWu, Maurus H.en_US
dc.date.accessioned2014-06-18T16:50:06Z-
dc.date.available2014-06-18T16:50:06Z-
dc.date.created2011-07-08en_US
dc.date.issued1970-10en_US
dc.identifier.otheropendissertations/5209en_US
dc.identifier.other6231en_US
dc.identifier.other2092157en_US
dc.identifier.urihttp://hdl.handle.net/11375/10149-
dc.description.abstract<p>Molière's relationship with the Church and its followers will be examined. He shall discuss the accusations of immorality and impiety that were levelled by modern and contemporary critics against the playwright and his plays. The comments of these critics will serve to reveal the religious criticism that was made against the writer and his three plays, L'Ecole des femmes, Le Tartuffe, and Dom Juan. We shall try to determine whether Molière's main pre-occupation when he wrote his plays was to attack religion and religious people or not. An attempt will be made to give an answer to the question after studying the works mentioned above.</p>en_US
dc.subjectFrench and Francophone Language and Literatureen_US
dc.subjectFrench and Francophone Language and Literatureen_US
dc.titleMolière and the Churchen_US
dc.typethesisen_US
dc.contributor.departmentFrenchen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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