Values in Live Performance / Valeurs de la performance en concert
| dc.contributor.author | Wong, Melissa Hok Cee | |
| dc.contributor.author | Winger, Nicole | |
| dc.contributor.author | Burston, Jonathan | |
| dc.date.accessioned | 2014-11-17T02:45:19Z | |
| dc.date.available | 2014-11-17T02:45:19Z | |
| dc.date.issued | 2013-05-24 | |
| dc.description | Friday, May 24 • 1:00pm - 2:30pm Session 7B: Values in Live Performance / Valeurs de la performance en concert 1.Melissa Hok Cee Wong (University of Cambridge), Performances on Record, Records in Performance: Historically Informed Performance in Popular Music. 2.Nicole Winger (Western University), The Supremes & The Copacabana, 1965: An Analysis of its Symbolism and Meaning. 3. Jonathan Burston (Western University), Songs are Work: Studying Singing as Labour on Broadway. Chair / Présidente : Johanne Melançon | en_US |
| dc.identifier.uri | http://hdl.handle.net/11375/16386 | |
| dc.language.iso | en | en_US |
| dc.subject | IASPM-Canada | en_US |
| dc.subject | conference | en_US |
| dc.subject | Music & Labour 2013 | en_US |
| dc.subject | Musique et travail 2013 | en_US |
| dc.subject | The Supremes | en_US |
| dc.subject | Broadway | en_US |
| dc.title | Values in Live Performance / Valeurs de la performance en concert | en_US |
| dc.title.alternative | Performances on Record, Records in Performance: Historically Informed Performance in Popular Music | en_US |
| dc.title.alternative | The Supremes & The Copacabana, 1965: An Analysis of its Symbolism and Meaning | en_US |
| dc.title.alternative | Songs are Work: Studying Singing as Labour on Broadway | en_US |
| dc.type | Presentation | en_US |
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