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Negotiating Sexualities / Négocier les sexualités

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dc.contributor.authorJennex, Craig
dc.contributor.authorSmith, Jocelyn
dc.contributor.authorPartington, John
dc.date.accessioned2014-11-27T03:16:29Z
dc.date.available2014-11-27T03:16:29Z
dc.date.issued2013-05-25
dc.descriptionSaturday, May 25 • 9:00am - 10:30am Session 11B: Negotiating Sexualities / Négocier les sexualités 1.Craig Jennex (McMaster University), "I Fell Too Fast, I Feel Too Much": Queer Canadian Cover Performance and the Emotional Labour of Repurposing Sentimentality 2.Jocelyn Smith (McMaster University), "Wake Up in the Morning Feelin’ Like P Diddy": The Self-Declared Drunk Slut and the Labour of Distorting Sound and Gender 3.John Partington (McMaster University), "Forrest Gump, You Run My Mind Boy": The Emotional Labour of Disidentification in Frank Ocean’s Channel Orange. Chair / Présidente: Jacqueline Warwicken_US
dc.identifier.urihttp://hdl.handle.net/11375/16469
dc.language.isoenen_US
dc.subjectIASPM-Canadaen_US
dc.subjectconferenceen_US
dc.subjectMusic & Labour 2013en_US
dc.subjectMusique et travail 2013en_US
dc.subjectsexualityen_US
dc.subjectgenderen_US
dc.subjectemotional labouren_US
dc.titleNegotiating Sexualities / Négocier les sexualitésen_US
dc.title.alternative"I Fell Too Fast, I Feel Too Much": Queer Canadian Cover Performance and the Emotional Labour of Repurposing Sentimentalityen_US
dc.title.alternative"Wake Up in the Morning Feelin’ Like P Diddy": The Self-Declared Drunk Slut and the Labour of Distorting Sound and Genderen_US
dc.title.alternative"Forrest Gump, You Run My Mind Boy": The Emotional Labour of Disidentification in Frank Ocean’s Channel Orangeen_US
dc.typePresentationen_US

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Music & Labour / Musique et travail 2013