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Storytelling as a Fundamental Form of Acting

dc.contributor.advisorBrown, Steven
dc.contributor.authorMatharu, Kiran
dc.contributor.departmentPsychologyen_US
dc.date.accessioned2019-10-02T18:29:20Z
dc.date.available2019-10-02T18:29:20Z
dc.date.issued2019
dc.description.abstractActing is a process of pretending to be someone who the actor is not. While acting is often considered to be a specialized skill of trained professionals, a simple and perhaps universal form of acting occurs during oral storytelling, in which the storyteller acts out the characters of the story during the moments of dialogue and self-reflection. In order to examine this skill experimentally, we had both trained actors and untrained novices read four fairy tales aloud. The stories contained a series of contrastive characters that spanned age, gender, and species. The major dependent variables were the vocal parameters of pitch height, loudness, timbre, and speech rate. The results demonstrated that participants created distinguishable acoustic profiles for each character within a story, regardless of the story’s familiarity. Monotonic trend analyses revealed the sequential changes in vocal parameters that were produced as a function of the age, gender, and species of the represented characters. Linear mixed-effects models showed a significant effect of acting training on character portrayal, with actors showing more-expansive pitch depictions than novices. We argue that portraying characters during storytelling is one of the most fundamental forms of acting in human life.en_US
dc.description.degreeMaster of Science (MSc)en_US
dc.description.degreetypeThesisen_US
dc.description.layabstractActing is a process of pretending to be someone who the actor is not. It is often thought of as a skill of trained professionals. We propose that oral storytelling is a form of everyday acting. When a storyteller reads aloud, they act out the characters of the story during moments of dialogue—when the characters themselves are speaking in the story. We explored the vocal portrayal of contrastive characters by both trained actors and non-actors as they read fairy tales aloud. The results revealed that participants, regardless of acting experience, portrayed the characters as predicted, performed the characters uniquely from each other, and remained consistent in their portrayal across a story. Actors were found to use a larger pitch range than non-actors, specifically for high-pitched characters. We argue that portraying characters during storytelling is one of the most fundamental forms of acting in human life.en_US
dc.identifier.urihttp://hdl.handle.net/11375/24900
dc.language.isoenen_US
dc.subjectstorytellingen_US
dc.subjectactingen_US
dc.subjectnarrativeen_US
dc.subjectcharacteren_US
dc.subjectrole playingen_US
dc.subjectprosodyen_US
dc.titleStorytelling as a Fundamental Form of Actingen_US
dc.typeThesisen_US

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