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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9954
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DC FieldValueLanguage
dc.contributor.advisorKing, Jamesen_US
dc.contributor.authorSadiwskyj, Ann Lenaen_US
dc.date.accessioned2014-06-18T16:49:07Z-
dc.date.available2014-06-18T16:49:07Z-
dc.date.created2011-06-29en_US
dc.date.issued1978-12en_US
dc.identifier.otheropendissertations/5028en_US
dc.identifier.other6048en_US
dc.identifier.other2081384en_US
dc.identifier.urihttp://hdl.handle.net/11375/9954-
dc.description.abstract<p>This thesis examines the use of landscape as metaphor in Restoration and eighteenth-century poetry. During this period, the natural scene is merely a manifestation of the character and reign of the sovereign. Many critics have discussed the relationship between monarchy and topography, yet they have been reluctant to explain its place in literary history.</p> <p>Giambattista Vico was an Italian writer whose book, The New Science (1744), introduces a new system of literary criticism. Vico suggests that the world continually progresses through three ages. The first is the age of gods, the second is the heroic age and the third belongs to men. These ages are distinguishable by their individual philosophies, and by studying the poetry of of Milton, Marvell, Drummond, Denham, Waller, Dryden and Pope, it will become clear that, although Vico had not based his book on this literature, his theories can still be validly applied to it. The New Science, therefore, provides a framework for this paper, and shows that this era marked a return to the age of heroes, where the ruler was a hero, and his poet, a god.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleHeroic Monarchs, Divine Poets and the Groves of Edenen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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