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http://hdl.handle.net/11375/9880
Full metadata record
DC Field | Value | Language |
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dc.contributor.advisor | Cain, T.H. | en_US |
dc.contributor.author | Stelling, Keith | en_US |
dc.date.accessioned | 2014-06-18T16:48:36Z | - |
dc.date.available | 2014-06-18T16:48:36Z | - |
dc.date.created | 2011-06-24 | en_US |
dc.date.issued | 1972-09 | en_US |
dc.identifier.other | opendissertations/4962 | en_US |
dc.identifier.other | 5980 | en_US |
dc.identifier.other | 2074715 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/9880 | - |
dc.description.abstract | <p>Relying extensively on the poet's own critical writing as a means of interpreting techniques used in his poetry, this thesis explores the development of Eliot's maturing religious thought and its expression as pattern and form in Four Quartets.</p> | en_US |
dc.subject | English Language and Literature | en_US |
dc.subject | English Language and Literature | en_US |
dc.title | Patterns of religious thought in Eliot's Four Quartets | en_US |
dc.type | thesis | en_US |
dc.contributor.department | English | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 4.37 MB | Adobe PDF | View/Open |
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