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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9847
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DC FieldValueLanguage
dc.contributor.advisorFerns, H. J.en_US
dc.contributor.authorMarkham, WIlliam E.en_US
dc.date.accessioned2014-06-18T16:48:30Z-
dc.date.available2014-06-18T16:48:30Z-
dc.date.created2011-06-22en_US
dc.date.issued1980-09en_US
dc.identifier.otheropendissertations/4931en_US
dc.identifier.other5950en_US
dc.identifier.other2071911en_US
dc.identifier.urihttp://hdl.handle.net/11375/9847-
dc.description.abstract<p>Wuthering Heights has been a centre of argument for literary critics for over one hundred and thirty years. The following discussion offers insights into the way Emily Brontë may have conceived the novel's structure on the basis of an Elizabethan dramatic design -- Shakespeare's tragedies being generally the model. At the same time, the narrative -- being an unusual feature of the book as far as it concerns the mid-nineteenth century -- looks forward to the kind of techniques Joseph Conrad was later to use. Together, the historical design of the novel's structure and its then futuristic narrative method, produce a unique work of genius -- one reason, perhaps, why Wuthering Heights in 1980 still attracts attention from readers and critics alike.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.titleStructure and Narrative in Emily Brontë's Wuthering Heightsen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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