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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9835
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dc.contributor.advisorBishop, Alanen_US
dc.contributor.authorUstick, John Michaelen_US
dc.date.accessioned2014-06-18T16:48:27Z-
dc.date.available2014-06-18T16:48:27Z-
dc.date.created2011-06-22en_US
dc.date.issued1974-08en_US
dc.identifier.otheropendissertations/4920en_US
dc.identifier.other5938en_US
dc.identifier.other2071473en_US
dc.identifier.urihttp://hdl.handle.net/11375/9835-
dc.description.abstract<p>The first chapter is an attempt to demonstrate the relationship between certain key features of Virginia Woolf's work and the artistic and philosophical theories of the English Romantics. Particular attention is focused upon the common distinction between two contrasting orders of experience, which are metaphorically denominated "the depths" and "the surface" in the writings of Virginia Woolf. Discussion follows of the pattern or rhythm, designated "the Rebirth archetype", into which these two states often fall, and its significance both in art and in life. Within this context, as well as that of Romantic myth in general, Mrs Dalloway, To the Lighthouse. and the final section of The Waves are examined in the following three chapters.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleVirginia Woolf: The Unfathomable Deep and RomantIc Traditionen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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