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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9829
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DC FieldValueLanguage
dc.contributor.advisorJackson, B. W.en_US
dc.contributor.authorStow, Mary Glenysen_US
dc.date.accessioned2014-06-18T16:48:27Z-
dc.date.available2014-06-18T16:48:27Z-
dc.date.created2011-06-22en_US
dc.date.issued1967en_US
dc.identifier.otheropendissertations/4915en_US
dc.identifier.other5934en_US
dc.identifier.other2071325en_US
dc.identifier.urihttp://hdl.handle.net/11375/9829-
dc.description.abstract<p>This thesis attempts to define Shaw's meaning for the terms "poet" and "poetry" as they appear in his prose works, and to compare that meaning with the usage of modern criticism. It examines in the light of these definitions some passages selected from Shaw's plays, pointing out the oracular and often Biblical nature of their rhythm and imagery, and making a distinction between those speeches which are rhetorical or persuasive and those which are poetic or introspective. It then explores in detail the rhythmic dialogue and symbolic significance of three dramas, Major Barbara, Heartbreak House, and Saint Joan, contending that the creative ability which is present in these plays may reasonably be called poetic.</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleBernard Shaw as a Poetic Dramatisten_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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