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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9820
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DC FieldValueLanguage
dc.contributor.advisorHammond, A. D.en_US
dc.contributor.authorHickman, James Andrewen_US
dc.date.accessioned2014-06-18T16:48:25Z-
dc.date.available2014-06-18T16:48:25Z-
dc.date.created2011-06-22en_US
dc.date.issued1980-08en_US
dc.identifier.otheropendissertations/4907en_US
dc.identifier.other5925en_US
dc.identifier.other2071053en_US
dc.identifier.urihttp://hdl.handle.net/11375/9820-
dc.description.abstract<p>The study investigates the manner in which verbal imagery in Shakespeare's plays achieves substance through the corresponding visual imagery of stage effects. Such reinforcement of the verbal by the visual pinpoints important iterative themes, and the dramatic effects of such an emphasis are examined.<br /><br />The dramatic imagery, that is the combination of verbal and visual elements, is discussed in detail with reference to three plays, Othello, Romeo and Juliet and The Tempest. Essentially the discussion forms a stimulus and a parting of the waters in preparation for further study</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleSubstantial Breath: A Study of Shakespeare's Dramatic Imageryen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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