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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9819
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DC FieldValueLanguage
dc.contributor.advisorRosenblood, B. N.en_US
dc.contributor.authorWilliams, John Andrew Ronalden_US
dc.date.accessioned2014-06-18T16:48:25Z-
dc.date.available2014-06-18T16:48:25Z-
dc.date.created2011-06-22en_US
dc.date.issued1972-11en_US
dc.identifier.otheropendissertations/4906en_US
dc.identifier.other5924en_US
dc.identifier.other2071161en_US
dc.identifier.urihttp://hdl.handle.net/11375/9819-
dc.description.abstract<p>This thesis examines the allegorical aspects of Fielding's novels, and particularly of Tom Jones. According to the view presented here, Tom Jones is a psychomachy a form of allegory in Which personified psychological .entities engage in a mental struggle. Squire Allworthy is an allegorical figure of reason, Sophia Western a figure of imagination, Tom Jones a figure of emotion, and Squire Western a figure of instinct. The action of the novel, culminating in the marriage of Sophia and Tom, symbolizes the reunification of the disunited elements of mind in an allegorical marriage of imagination with emotion. In connection with this view, the thesis deals at some length with Fielding's theory of the imagination.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleThe Allegory of the Imagination in Henry Fielding's Tom Jonesen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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