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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9807
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DC FieldValueLanguage
dc.contributor.advisorFerns, H. J.en_US
dc.contributor.authorHaggo, C.en_US
dc.date.accessioned2014-06-18T16:48:22Z-
dc.date.available2014-06-18T16:48:22Z-
dc.date.created2011-06-22en_US
dc.date.issued1973en_US
dc.identifier.otheropendissertations/4896en_US
dc.identifier.other5920en_US
dc.identifier.other2070836en_US
dc.identifier.urihttp://hdl.handle.net/11375/9807-
dc.description.abstract<p>Most words in the English language have more than one meaning, and few poets exploit this fact more than Hopkins, who often uses one word to suggest others that look or sound the same. What brings these supplementary denotations or implications to the surface of a word is usually the diction and imagery of the poem in which it appears, but other poems by Hopkins and his diaries can also be illuminating. In this thesis I explore the relation between multiple meanings and systems of imagery in individual poems and in Hopkins' poetry as a whole. My discussion consists mainly of close analysis of selected poems and parts of poems intended to demonstrate the density and unity which result from this important stylistic technique.</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleThe Technique of Multigui ty in the Poetry of Gerard Manley Hopkinsen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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