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http://hdl.handle.net/11375/9796
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DC Field | Value | Language |
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dc.contributor.advisor | Bishop, Alan | en_US |
dc.contributor.author | Parbury, Mark John | en_US |
dc.date.accessioned | 2014-06-18T16:48:21Z | - |
dc.date.available | 2014-06-18T16:48:21Z | - |
dc.date.created | 2011-06-21 | en_US |
dc.date.issued | 1971 | en_US |
dc.identifier.other | opendissertations/4886 | en_US |
dc.identifier.other | 5910 | en_US |
dc.identifier.other | 2070087 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/9796 | - |
dc.description.abstract | <p>The thesis attempts to explore the problem of a critical response to a fiction essentially experimental and inaccessible to conventional critical terminology. The critical premise finally reached agrees with Virginia Woolf's own perception that a book is "not form which you see but emotion which you feel". Accordingly, the thesis examines a series and pattern of imagery that can be found moving through her three major novels - Mrs. Dalloway, To The Lighthouse, The Waves - so condensing and conveying,-aesthetically, a distinct emot'ional reality and consequent vision of death and so life.</p> | en_US |
dc.subject | English | en_US |
dc.subject | English Language and Literature | en_US |
dc.subject | English Language and Literature | en_US |
dc.title | Virginia Woolf: A Pattern In Reality | en_US |
dc.type | thesis | en_US |
dc.contributor.department | English | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 2.25 MB | Adobe PDF | View/Open |
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