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http://hdl.handle.net/11375/9333
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DC Field | Value | Language |
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dc.contributor.advisor | Schulte, H. H. | en_US |
dc.contributor.author | Joy, Bell Winifred Deirdre | en_US |
dc.date.accessioned | 2014-06-18T16:46:41Z | - |
dc.date.available | 2014-06-18T16:46:41Z | - |
dc.date.created | 2011-06-03 | en_US |
dc.date.issued | 1968 | en_US |
dc.identifier.other | opendissertations/4466 | en_US |
dc.identifier.other | 5486 | en_US |
dc.identifier.other | 2044960 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/9333 | - |
dc.description.abstract | <p>The gradual change in attitude to modern theatrical dialogue is outlined and an investigation of frisch's dialogue is carried out. It is established that the lack of communication manifest in the dialogue between characters on stage has as its counterpart a high level of communication between stage and audience. The means whereby this is achieved lies in the manipulation of dalogue in- and cross-stage.</p> | en_US |
dc.subject | German | en_US |
dc.subject | German Language and Literature | en_US |
dc.subject | German Language and Literature | en_US |
dc.title | The Use of Dialogue in the Dramas of Max Frisch. | en_US |
dc.type | thesis | en_US |
dc.contributor.department | German | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 18.99 MB | Adobe PDF | View/Open |
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