The Use of Dialogue in the Dramas of Max Frisch.

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9333

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DC Field	Value	Language
dc.contributor.advisor	Schulte, H. H.	en_US
dc.contributor.author	Joy, Bell Winifred Deirdre	en_US
dc.date.accessioned	2014-06-18T16:46:41Z	-
dc.date.available	2014-06-18T16:46:41Z	-
dc.date.created	2011-06-03	en_US
dc.date.issued	1968	en_US
dc.identifier.other	opendissertations/4466	en_US
dc.identifier.other	5486	en_US
dc.identifier.other	2044960	en_US
dc.identifier.uri	http://hdl.handle.net/11375/9333	-
dc.description.abstract	<p>The gradual change in attitude to modern theatrical dialogue is outlined and an investigation of frisch's dialogue is carried out. It is established that the lack of communication manifest in the dialogue between characters on stage has as its counterpart a high level of communication between stage and audience. The means whereby this is achieved lies in the manipulation of dalogue in- and cross-stage.</p>	en_US
dc.subject	German	en_US
dc.subject	German Language and Literature	en_US
dc.subject	German Language and Literature	en_US
dc.title	The Use of Dialogue in the Dramas of Max Frisch.	en_US
dc.type	thesis	en_US
dc.contributor.department	German	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

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