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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9308
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dc.contributor.advisorWiddicombe, Peteren_US
dc.contributor.authorBasile, Timothyen_US
dc.date.accessioned2014-06-18T16:46:34Z-
dc.date.available2014-06-18T16:46:34Z-
dc.date.created2011-06-02en_US
dc.date.issued2009-09en_US
dc.identifier.otheropendissertations/4443en_US
dc.identifier.other5463en_US
dc.identifier.other2044039en_US
dc.identifier.urihttp://hdl.handle.net/11375/9308-
dc.description.abstract<p>While most analyses of Be mar d's allegory of the two swords frame the discussion from the perspective of Bernard's overall political theology, this approach often ignores the allegory's connection to the Knights Templar. This thesis examines Bernard of Clairvaux's allegory of the Two Swords from a literary and historical perspective. By examining each of Bernard's uses of the allegory separately and in their own contexts, this thesis aims to identify the various ways in which Bernard used the allegory. As well, this work seeks to understand what the allegory can and cannot tell us about Bernard's overall political theology. This thesis argues that Bernard employed the allegory in order to describe the authority by which the pope may protect the Church when it is threatened, but that the allegory's effectiveness for determining Bernard's political theology outside the context of the Church's defence remains limited.</p>en_US
dc.subjectReligionen_US
dc.subjectReligionen_US
dc.titleTemplars, Crusades, and Consideration: A Study on Bernard of Clairvaux's AlIegory of the Two Swordsen_US
dc.typethesisen_US
dc.contributor.departmentReligious Studiesen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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