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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/9218
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dc.contributor.advisorBlewett, David L.en_US
dc.contributor.authorFawcett, Ruth Nancyen_US
dc.date.accessioned2014-06-18T16:46:13Z-
dc.date.available2014-06-18T16:46:13Z-
dc.date.created2011-06-01en_US
dc.date.issued1981en_US
dc.identifier.otheropendissertations/4360en_US
dc.identifier.other5378en_US
dc.identifier.other2041217en_US
dc.identifier.urihttp://hdl.handle.net/11375/9218-
dc.description.abstract<p>For Samuel Richardson, language is the means by which he tells the story of Clarissa but, more importantly, it is his symbol within the novel of the deceptions of the world. It is language that leads the heroine away from herself and from everything that she holds dear; it is language that frustrates her and Lovelace's attempts to reach an understanding; and it is language, finally, that must be abandoned by Clarissa as she<br />prepares herself for death. Through a close study of the language of Clarissa, this paper attempts to define the heroine's relationship to the words she and the other characters use and to trace Richardsen's involvement with this theme. It is argued that Richardson emphasizes Clarissa's attitude towards language through the use of imagery, lmagery which is especially noticeable and important towards the end of the novel when the heroine rejects ordinary words in favour of sacred language.</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleBeyond Words: The Language of Clarissaen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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