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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/32594
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dc.contributor.advisorTrainor, Laurel-
dc.contributor.authorCarrillo, Chantal-
dc.date.accessioned2025-10-27T14:24:17Z-
dc.date.available2025-10-27T14:24:17Z-
dc.date.issued2025-11-
dc.identifier.urihttp://hdl.handle.net/11375/32594-
dc.description.abstractAuditory-motor and interpersonal synchrony are core human abilities that support both everyday activities and artistic performance. This dissertation investigated synchrony across two ends of a spectrum: children at risk for developmental coordination disorder (DCD), where auditory-motor synchrony is challenged, and expert dancers, where interpersonal synchrony is refined through extensive training. In Chapters 2 and 3, I examined children with and without risk for DCD. Using both a simple tapping task and a full-body step-clap task, I showed that children at risk for DCD exhibited impairments in auditory timing perception and in synchronizing movements to auditory stimuli. Importantly, their performance improved when provided with rhythmic cues, suggesting that auditory rhythms may provide a valuable framework for motor interventions. Chapters 4 and 5 turned to expert hip hop dancers. Motion capture analysis of live competition performances demonstrated that interpersonal synchrony was a significant predictor of judges’ and audiences’ evaluations, highlighting its role in dance expertise. Individual differences in auditory-motor synchronization and timing perception were then found to predict dancers’ ability to synchronize movements with others in performance. Together, these studies provide new insights into the important role movement synchrony plays across contexts of developmental impairment and expert performance. The findings demonstrate that synchrony difficulties in DCD extend beyond motor deficits to include auditory timing and auditory-motor synchronization deficits, and highlight the potential of intervention with rhythmic auditory cueing. Conversely, in expert dancers, interpersonal synchrony is both a determinant of performance quality and associated with basic auditory-motor skills. By bridging experimental tasks with ecologically valid settings, this dissertation advances understanding of how the ability to move in synchrony shapes development, motor skills, and artistic expression.en_US
dc.language.isoenen_US
dc.subjectmovement synchronyen_US
dc.subjectdevelopmental coordination disorderen_US
dc.subjectauditory-motor synchronizationen_US
dc.subjectinterpersonal synchronyen_US
dc.subjectdanceen_US
dc.subjectrhythmen_US
dc.titleSynchronizing Movement: From Disorders to Expertiseen_US
dc.typeThesisen_US
dc.contributor.departmentPsychologyen_US
dc.description.degreetypeDissertationen_US
dc.description.degreeDoctor of Philosophy (PhD)en_US
dc.description.layabstractMoving in time with others is a skill we use every day, whether clapping along at a concert or walking in step with a friend. This ability, called movement synchrony, is important for social bonding, development, and performance. My thesis explores movement synchrony across two very different groups: children with motor coordination difficulties and expert dancers. In children at risk for developmental coordination disorder, I show that difficulties in synchronizing movements with music are linked to broader motor challenges, but that rhythmic cues can improve their performance, highlighting the potential for dance-based interventions. In professional dancers, I show that precise synchrony with others strongly impacts how performances are judged, and that individual timing skills predict success in group coordination. By studying synchrony from disorders to expertise, this research reveals the importance of moving in time with music and with others.en_US
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