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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/32501
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dc.contributor.advisorCummings, Ronald-
dc.contributor.authorCorridon, Linzey-
dc.date.accessioned2025-10-09T13:28:39Z-
dc.date.available2025-10-09T13:28:39Z-
dc.date.issued2025-
dc.identifier.urihttp://hdl.handle.net/11375/32501-
dc.description.abstractThis project intervenes in the fields of Caribbean studies, queer theory, gender and sexuality studies, and feminist cultural studies. Divided into four chapters, the project examines the interconnections between Caribbean (im)material cultures of fluidity and the politics of quotidian island life. Through an interrogation of three conceptual frameworks: (i) the Queeribbean quotidian, (ii) fluidity, and (iii) ‘the polymorphic’ multi-island nation, the first chapter argues that fluidity generates multiple ideological paradoxes which prove useful in the (re)construction of more equitable island societies in matters of freedom and bodily autonomy. In the second chapter, close readings of Harold Sonny Ladoo’s Yesterdays (1974) and Clem Maharaj’s The Dispossessed (1992), reveal ongoing and generative tensions between rurality, queerness, and post-indenture Indo-Caribbean life in Trinidad and Tobago. Quotidian rural life productively incorporates fluidity into the making of early-twentieth century, hetero-monogamous Indo-Caribbean lifeworlds. The third chapter offers close readings of Jamaica Kincaid’s Annie John (1985) and My Brother (1997), in addition to select contributions by emerging Caribbean writers in the online journal Intersect (2020), to demonstrate that fluid, Afro-Queeribbean narratives reveal an interconnected epistemology of the self and the multi-island nation in late-twentieth, early-twenty-first century Antigua and Barbuda. The fourth and final chapter is primarily occupied with the public-facing writings of the queer Vincentian author and scholar, Professor H. Nigel Thomas. Following Thomas’s debut novel Spirits in the Dark (1993), a distinct record of the queer Vincentian quotidian is tied to the local print media culture in the early 21st century. I piece together this record, and by extension the public presence of ideas and practices concerning queerness and fluidity, by close reading three decades of exchanges in Searchlight, The News, and The Vincentian newspapers.en_US
dc.language.isoenen_US
dc.subjectCaribbean Literatureen_US
dc.subjectQueer Theoryen_US
dc.subjectFluidityen_US
dc.subjectMulti-Island Nation-Statesen_US
dc.subjectThe Quotidianen_US
dc.subjectPolymorphismen_US
dc.titlePolymorphic Island Intimacies: The Fluid Queeribbean Quotidian in Anglophone Caribbean Multi-Island Nation-Statesen_US
dc.typeThesisen_US
dc.contributor.departmentEnglish and Cultural Studiesen_US
dc.description.degreetypeDissertationen_US
dc.description.degreeDoctor of Philosophy (PhD)en_US
dc.description.layabstractWhat are the connections and overlaps between queerness, sexual fluidity, and everyday Caribbean life? This dissertation attempts to engage with this question by analyzing accounts of queer and sexually fluid experiences in select works of anglophone Caribbean literature. By doing this, the author demonstrates how narratives concerned with queerness and regional sexual fluidity reveal a diversity in embodiments of individual desire and expression that both transgress and transform the accepted social, cultural, and geopolitical boundaries governing everyday island life. These written accounts represent a history of sexually nonconforming practices in the region, as well as a record of the ongoing role of the multi-island nation-state in the production of queerness and fluidity.en_US
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