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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/30591
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dc.contributor.advisorTrainor, Laurel-
dc.contributor.authorFlaten, Erica-
dc.date.accessioned2024-11-22T20:30:33Z-
dc.date.available2024-11-22T20:30:33Z-
dc.date.issued2024-
dc.identifier.urihttp://hdl.handle.net/11375/30591-
dc.description.abstractIn music, listeners extract the beat and can also group beats, such as duple metre (2-beat groupings) or triple metre (3-beat groupings). This internally derived (top-down) structure can give rise to multiple interpretations of a metrically ambiguous rhythm. Top-down rhythm perception is important for music and language development but has thus far been understudied in infants. In the current thesis, six-month-old infants (Chapters 2 and 4) and adults (Chapter 3) were primed to interpret a metrically ambiguous 6-beat rhythm either in duple or triple metre, by periodically adding loudness accents on beats 1,3 and 5, or on beats 1 and 4, respectively, before hearing the unaccented, ambiguous rhythm. Using electroencephalography (EEG), I examined whether the primed metre influenced participants' predictions of individual beats within the rhythm, indexed by mismatch responses, as well as whether the primed metre improved the brain's overall tracking of the metre frequency, as indexed by neural tracking measures. Infants’ predictions of unexpected pitch changes occurring on beats 4 or 5 were modulated by the primed metre, such that mismatch responses were larger for the strong compared to weak beat position according to the primed metre (Chapter 2), especially in the duple case. Adults (Chapter 3) were comparatively less flexible than infants to being primed, showing a robust bias to the duple metre across EEG measures, although actively attending to the metre improved neural tracking of the primed metre. Further, infants may be limited in their generalizability of a primed metrical structure across different tempos (Chapter 4). Across chapters the results also suggest a duple bias that starts in infancy and is strengthened by musical experience. This thesis provides the first evidence of infants’ top-down maintenance of a structure on an ambiguous rhythm while directly comparing to adults. The work has implications for understanding music and language perception development, and developmental disorders.en_US
dc.language.isoenen_US
dc.subjectInfanten_US
dc.subjectRhythm Perceptionen_US
dc.subjectEEGen_US
dc.subjectBeat & Metreen_US
dc.titleTop-down Influences On Neural Processing Of Rhythm In Infants And Adultsen_US
dc.typeThesisen_US
dc.contributor.departmentPsychologyen_US
dc.description.degreetypeDissertationen_US
dc.description.degreeDoctor of Philosophy (PhD)en_US
dc.description.layabstractRhythm perception involves grouping sounds into meaningful units, especially in ambiguous contexts. In music, an unaccented 6-beat rhythm pattern could be interpreted as three groups of 2 beats (e.g., a march), or two groups of 3 beats (e.g., a waltz). Infants are born with some rhythm perception abilities, but whether they can apply their own interpretations of an ambiguous rhythm was not well understood. Here I show for the first time that the infant brain can be influenced to interpret the same ambiguous rhythm either as a march or a waltz, although this may be limited to certain contexts. Comparatively, adults were less flexible to applying different interpretations, likely due to a learned bias to hear the rhythm as a march, although engaging attention reduced this bias. Overall, this work shows how the brain applies interpretations of auditory rhythms in infancy and adulthood, having implications for music and language development.en_US
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