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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/28725
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dc.contributor.authorBandler, John-
dc.date.accessioned2023-07-10T21:12:24Z-
dc.date.available2023-07-10T21:12:24Z-
dc.date.issued2013-05-15-
dc.identifier.citationBandler, John, The Trial of Naomi Verne, Bandler Corporation, Dundas, ON, Canada, 2013en_US
dc.identifier.urihttp://hdl.handle.net/11375/28725-
dc.descriptionThe Trial of Naomi Verne is a one-act science fiction play written by John Bandler. Set in a dystopic future, the play explores themes of human cognition, technology ethics, and utilitarianism. The third and final part of a trilogy, it is preceded by 59 Minutes in the Maxwell Suite (2011) and That The Multitude May Live (2012). This May 15, 2013 copy is 48 pages. The play was staged for the Hamilton Fringe Festival at Hamilton Theatre Inc. (July 18-27, 2014) and directed by Tom Mackan. See also: http://www. http://bandler.com/coalition/, https://web.archive.org/web/20211204201104/http://bandler.com/coalition (accessed July 10, 2023). Promotional videos can be found on John Bandler’s YouTube channel https://www.youtube.com/Bandler2009/ .en_US
dc.description.abstractHeld without charge for crime or crimes unspecified, Naomi Verne, ruler of the American Domain, recalls her secret summit with Luton Maxwell’s mother, representative of the theocratic rulers of the Empire of God, and faces the hideous bargain she struck as a way out of a lethal global deadlock.en_US
dc.language.isoen_USen_US
dc.publisherBandler Corporationen_US
dc.subjectscience fictionen_US
dc.subjecttechnology ethicsen_US
dc.subjectreligious terrorismen_US
dc.subjectreality augmentationen_US
dc.subjectaltered realitiesen_US
dc.subjecthuman cognitionen_US
dc.subjectdigital dystopiaen_US
dc.subjectstage playen_US
dc.titleThe Trial of Naomi Verneen_US
dc.typeOtheren_US
Appears in Collections:John Bandler Plays

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