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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/27059
Title: Fantastic School Stories: The Hidden Curriculum of Learning Magic
Authors: Suttie, Megan
Advisor: Grisé, Catherine Annette
Department: English and Cultural Studies
Keywords: fantasy literature;fantastic school stories;school stories;representations of education;Lev Grossman Magicians Trilogy;Patrick Rothfuss Kingkiller Chronicles;J.K. Rowling Harry Potter Series;Terry Pratchett Tiffany Aching;Jane Yolen Wizard's Hall
Publication Date: 2021
Abstract: This dissertation presents a holistic framework for approaching fantastic school stories: that is, narratives which feature the protagonist’s education in magic. This three-part framework attends to the ways in which the fantastic school story subgenre draws upon the characteristics and possibilities of the school story genre, fantastic literature, and representations of education – in which a hidden curriculum is always inherently present – to create unique opportunities for representing and foregrounding issues and structures within educational institutions and the relationship between education and power. Employing this lens allows for a more nuanced and complex consideration of the impact of fantastic elements in these narratives, examining the ways in which such elements exaggerate, embody, or enforce underlying ideologies and norms and offer encouragement to readers to interrogate these aspects of the text and the mundane educational experiences they encounter. This framework is then used to analyse representative texts in the subgenre and explicate the hidden curriculum of each: ideologies of immutable gender and identity in Jane Yolen’s Wizard’s Hall; the use of testing as a gatekeeping measure to reinforce Pureblood supremacy in J.K. Rowling’s Harry Potter series; the prerequisite of economic capital to access education, undermining the myth of post-secondary studies as social mobility, in Patrick Rothfuss’s Kingkiller Chronicles; the violence of imperial educational institutions in Lev Grossman’s Magicians trilogy; and the vocational habitus of witchcraft, including gendered divisions and expectations of personal sacrifice, on the Discworld in Terry Pratchett’s “Tiffany Aching” quintet. This framework and these illustrative analyses, by explicating the structures underlying the protagonists’ education and the ways in which they are thereby limited, participate in the projects of developing an emancipatory approach to children’s literature and in consciousness-raising regarding hidden curricula in education.
URI: http://hdl.handle.net/11375/27059
Appears in Collections:Open Access Dissertations and Theses

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