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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/23862
Title: The Cultural Life of Extinction in Post-Darwinian Print Culture
Authors: Pasquini, Robert
Advisor: Kehler, Grace
Department: English and Cultural Studies
Keywords: Extinction, Evolution, Victorian Print Culture, Darwin, Animal Studies, Proto-ecological, Periodicals, Meat Trade, Scientific Romance, Wells, Shiel, Posthumanism
Publication Date: Nov-2018
Abstract: This thesis is an interdisciplinary study that traces colloquial engagements with extinction in Victorian print culture (1859-1901). Extinction’s broad cultural life demonstrates the extent that scientific and cultural topics intricately entangled within Victorian print networks. Non-specialist Britons absorbed and transmitted evolutionary (particularly, Darwinian) knowledges within public discursive spaces instead of exclusively institutional settings. Class stratification did not bar non-specialists from absorbing and perpetuating cultural conversations about collapses, conservationism, and overconsumption. My project thus seeks to amend the critical discourse that assumes that Victorians passively accepted impending catastrophes or paid scant attention to extinction pressures. I recover multiple subjects formerly hidden in the vast Victorian archives: obscure non-specialists of the working and middle classes, obscurer animals cohabiting the Victorian’s everyday spaces, and the popular (and in some cases, underappreciated) literary texts demonstrating how Victorians circulated extinction discourses. Chapters One and Two explore the non-literary side of print culture, recovering widely disseminated but now largely unknown periodical artifacts (the domain of Punch, The Times, or Funny Folks). Chapter One focuses on cultural reactions to collapses of England’s domestic birds. Chapter Two traces the economized conservationism of the Brooke Brothers, popular game and meat traders. In both chapters, I determine how experienced evolutionary knowledges revealed the human-caused tenuousness of a trans-species milieu. Chapters Three and Four concentrate on scientific romances originally serialized in periodicals, including my key literary case studies, H.G. Wells’s The Time Machine (1895) and M.P. Shiel’s The Purple Cloud (1901). Musing on extinction led to a mindset that acknowledged entanglement with nonhuman others as an ethical imperative. However, some case studies demonstrate a profound ambivalence toward the human’s self-extinction, resulting in a complicated engagement with future forms that often re-privileges the human from within a radical ontology.
URI: http://hdl.handle.net/11375/23862
Appears in Collections:Open Access Dissertations and Theses

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