Skip navigation
  • Home
  • Browse
    • Communities
      & Collections
    • Browse Items by:
    • Publication Date
    • Author
    • Title
    • Subject
    • Department
  • Sign on to:
    • My MacSphere
    • Receive email
      updates
    • Edit Profile


McMaster University Home Page
  1. MacSphere
  2. Open Access Dissertations and Theses Community
  3. Digitized Open Access Dissertations and Theses
Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/21151
Title: (Un)natural Bodies: Reproduction, Disability, Queerness
Authors: Narduzzi, Dilia
Advisor: O'Brien, Susie
Department: English and Cultural Studies
Keywords: Reproduction;disability;queerness;culture;body
Publication Date: Apr-2011
Abstract: This dissertation arises from an interdisciplinary attention to the categories of embodiment, otherness, and the "abnormal." In deconstructing a "normal" versus "abnormal" binary, I focus specifically on establishing intersections between disabled and/or queer bodies, those commonly categorized as monstrous. By way of feminist science studies and cultural studies theoretical frameworks, I postulate that the connections between disabled and/or queer bodies can be read through the practices of biological, cultural, and queer reproduction(s). Chapter One is concerned with examining how disabled and/or queer physical reproduction highlights and troubles a heteronormative and able-bodied normative time line. I consider Michael Berube's memoir Life As We Know It and Barbara Kingsolver's novel The Poisonwood Bible in order to hypothesize a notion I term "queer-progress," a time line that works in opposition to a linear progressive movement of bodies in time. In Chapter Two, I investigate the process of cultural and social reproduction. What kinds of attitudes, beliefs, and storylines are perpetually recreated and reproduced around disabled and/or queer bodies? How is the disabled and/or queer body positioned against a "normal" body? I study Alice Munro's short story "Child's Play" and Lois Lowry's young adult novel The Giver with the aim to expose how socio-cultural reproductive policing technologies seek to maintain able-bodied and heteronormative privilege by way of the normalization and reproduction of negative affect towards monstrous bodies. Chapter Three analyzes texts that envision queer reproductive stories, both biological and cultural, for disabled and/or queer subjects. I examine the question of what happens when disabled and/or queer bodies bear reproductive fruit, both physically and in the form of cultural change. I explore Larissa Lai's novel Salt Fish Girl and Allyson Mitchell's art installation Ladies Sasquatch and posit that these texts offer alternative manifestations of reproduction, community, and kinship formations. This project places different dialogues in conversation with one another feminist thought about reproduction, disability and reproduction, queerness and reproduction, disability and queerness and how the "normal" body is created and maintained. In sum, I build on existing work in feminism, disability studies and queer theory to develop the notion of "reproduction" in an interdisciplinary fashion.
URI: http://hdl.handle.net/11375/21151
Appears in Collections:Digitized Open Access Dissertations and Theses

Files in This Item:
File Description SizeFormat 
Narduzzi_Dilia_2011Apr_Phd.pdf
Open Access
11.59 MBAdobe PDFView/Open
Show full item record Statistics


Items in MacSphere are protected by copyright, with all rights reserved, unless otherwise indicated.

Sherman Centre for Digital Scholarship     McMaster University Libraries
©2022 McMaster University, 1280 Main Street West, Hamilton, Ontario L8S 4L8 | 905-525-9140 | Contact Us | Terms of Use & Privacy Policy | Feedback

Report Accessibility Issue