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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/16422
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dc.contributor.advisorZuroski-Jenkins, Eugenia-
dc.contributor.authorMcClean, Emma-
dc.date.accessioned2014-11-18T21:02:06Z-
dc.date.available2014-11-18T21:02:06Z-
dc.date.issued2014-11-
dc.identifier.urihttp://hdl.handle.net/11375/16422-
dc.description.abstractFrances Burney’s novel Cecilia, travels through England geographically and through numerous modes of transport. It explores the concept of national identity in an England that is still determining its own. William Hogarth’s rules for determining the beauty of the Serpentine s in The Analysis of Beauty offer a model for the type of natural and beautiful travel around England that Burney attempts to construct, determining the most beautiful moral values of such an identity. Both the social implications and the modes of travel consider how this sense of beauty emerges throughout the novel, as Cecilia’s own subjective growth travels in tandem with her physical motion. Burney offers a model for travel that challenges the masculine Grand Tour, a type of travel that worked to divide that nation. Cecilia’s tour, in contrast, through England serves to promote social inclusivity and cohesion.en_US
dc.language.isoen_USen_US
dc.subjectFrances Burneyen_US
dc.subjectWilliam Hogarthen_US
dc.title“TRAVELLING THE DOMESTIC”: A STUDY OF CECILIAen_US
dc.typeThesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreetypeThesisen_US
dc.description.degreeMaster of Arts (MA)en_US
dc.description.layabstractThe thesis considers the importance of William Hogarth’s principles in The Analysis of Beauty to Frances Burney’s novel Cecilia, through the perspective of travel.en_US
Appears in Collections:Open Access Dissertations and Theses

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