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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/16385
Title: Working Situations II / Situations de travail II
Other Titles: Resisting Intellectual Property in the Live Performance of Electronic Music
No Money, Mo’ Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music
The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere
Authors: Zeilinger, Martin
Hyndman, Sheena
Bowman, Durrell
Keywords: IASPM-Canada;conference;Music & Labour 2013;Musique et travail 2013;intellectual property;electronic music;remix;popular music courses
Publication Date: 24-May-2013
Description: Friday, May 24 • 1:00pm - 2:30pm Session 7A: Working Situations II / Situations de travail II 1. Martin Zeilinger (York University), Resisting Intellectual Property in the Live Performance of Electronic Music. 2.Sheena Hyndman (York University), No Money, Mo’ Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music. 3. Durrell Bowman (Independent Scholar), The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere. Chair / Présidente: Alan Stanbridge
URI: http://hdl.handle.net/11375/16385
Appears in Collections:Music & Labour / Musique et travail 2013

Files in This Item:
File Description SizeFormat 
07A- Martin Zeilinger- Resisting Intellectual Property in the Live Performance of Electronic Music.mp3
Open Access
Audio recording70.76 MBaudio/basicView/Open
07A -Sheena Hyndman - No Money, Mo’ Problems- The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music.mp3
Open Access
Audio recording68.56 MBaudio/basicView/Open
07A- Durrell Bowman - The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere.mp3
Open Access
Audio recording64.42 MBaudio/basicView/Open
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